|
ROMANTIC SERIES 30, 32, 36, 48, 64, 80 &
100 STOP
LIBRARIES
The Romantic series of libraries are based on samples taken in the majority, from Father Willis instruments
including those in St George's Hall, Liverpool, Huddersfield Town Hall etc.
Other stops (or parts of stops) are from various sources including Sweetland /Griffen
& Stroud, Nicholson / Kenneth Jones, Almeuza (Pais Basco), as well as organ
builders stock from George Sixsmith & Son.
Where possible, Father Willis (FW) pipework has been used as much as possible but it
is not always easy to find a stop in complete balance (or indeed, satisfactory working
order) on some of the instruments and it has been necessary to substitute
carefully matched ranks or parts of ranks in order to provide comprehensive
specifications.
At the bottom of the page can be found further details about the instruments
used in the sample sets.
DEMOS
The following demos have been recorded directly from Hauptwerk. No
alterations have been made via the voicing tools in Hauptwerk. For the wet demos,
conventional reverberation has been used as opposed to any specialist
convolution reverberation software. Some demos use a slightly stretched
temperament as an alternative to the standard A440 Equal Temperament.
1.
Cook Fanfare MP3 (Wet)
MP3 64, 48,
Cook Fanfare
(Dry) MP3 64 48
2.
Bonnet; Elves (Wet) MP3
64, 48 except Orchestral Oboe in one phrase
Bonnet; Elves (Dry) MP3
As above
3.
Javier de SanJose: Qui
pascitur inter lilia (Wet) MP3 64, 48, 36 and minus one
Celeste on the other lesser spec instruments.
Javier de SanJose: Qui
pascitur inter lilia (Dry) MP3 As above
4.
Maleingreau: Toccata
from Suite for Organ
Dry MP3. 80 Stop and 64 minus the strings etc.
5.
ASZ Excert MP3 (Wet) 80
or 100 Stop
6.
Prelude in C MP3 (Wet) All Models
7.
A Minor Fugue BWV 543 MP3 (Wet) 30 Stop and
all
larger spec. models
A Minor Fugue BWV 543 MP3 (Dry)
As above
HAUPTWERK III:
THREE MANUAL AND PEDALS 64 SPEAKING STOPS
|
|
|
Single Screen
|
|
|
|
LH Jamb
|
|
|
|
RH Jamb
|
|
|
| |
|
|
Double
Open Diapason (HW 1894) |
16' |
|
Open
Diapason I (HW 1894) |
8' |
|
Open Diapason II (HW 1894) |
8' |
|
Open Diapason III (HW
1894) |
8' |
|
Claribel Flute
(G&S/SW 1880) |
8' |
|
Quint
(HW 1894) |
5 1/3' |
|
Principal (HW 1894) |
4' |
|
Harmonic Flute
(G&S/SW 1880)* |
4' |
|
Twelfth (HW 1894) |
2
2/3' |
|
Fifteenth (HW 1894) |
2' |
|
Seventeenth
(HW 1855 1860)
|
1 3/5' |
|
Mixture (15 19 22) (HW
1894) |
III rks |
|
Mixture (19 22 26 29) (HW
1894) |
IV rks |
|
Contra Posaune
(Con / Hw 1880 / 1885) |
16' |
|
Tromba
(HW 1855 / 1860 / 1894) |
8' |
|
Clarion
(Con / Hw 1880 / 1885) |
4' |
| |
|
|
Couplers:- Swell to Great Choir to Great Choir to Great |
|
|
Lieblich Bourdon (HW
1894) |
16' |
|
Open Diapason (HW 1894) |
8' |
|
Rohr Flute (HW 1894) |
8' |
|
Viola da Gamba (HW 1894 /
G&S/SW 1880) |
8' |
|
Celeste
(G&S/SW 1880) (Ten. C) |
8'
|
|
Principal (HW 1894) |
4' |
|
Flute (HW 1894) |
4' |
|
Octave (KJ / N) |
2' |
|
Sesquialtera (17 19 22)
(Con / Hw 1880 / 1885) |
III Rks |
|
Mixture (15 19 22 26 29)
(G&S/SW 1880) |
V Rks |
|
Contra Fagotto
(G&S/SW 1880 / AL 1956) |
16' |
|
Hautbois (HW 1894) |
8' |
|
Vox Humana
(Con / Hw 1880 / 1885) |
8' |
|
Waldhorn
(Con / Hw 1880 / 1885 / 1894) |
16' |
|
Cornopean
(HW 1894 /G&S/SW 1880) |
8' |
|
Clarion (HW 1855) |
4' |
| |
|
|
Couplers:- Octave, Sub Octave & Unison Off |
|
|
CHOIR ORGAN
|
|
|
Contra Dulciana (HW 1894) |
16' |
|
Open Diapason
(G&S/SW 1880) |
8' |
|
Rohrgedeckt (Con / Mand
/Old) |
8' |
|
Dulciana (HW 1894) |
8' |
|
Celeste (HW
1894) (Ten. C) |
8' |
|
Principal
(G&S/SW 1880) |
4' |
|
Flute (Con) |
4' |
|
Nazard
(Con / Hw 1880 / 1885 H&H 1980) |
2 2/3' |
|
Octave
(G&S/SW 1880) |
2' |
|
Piccolo (HW 1894) |
2' |
|
Tierce (KJ/N) |
1 3/5' |
|
Larigot
(Con / Hw 1880 / 1885 H&H 1980) |
1 1/3' |
|
Bass Cromorne
(Con / Hw 1880 / 1885 H&H 1980) |
16' |
|
Corno Di Bassetto (HW
1894) |
8' |
|
Orchestral Oboe (AL 1956) |
8' |
|
Tuba Mirabilis
(HW 1894 / G&S/SW 1880)
|
8' |
| |
|
|
Couplers:- Octave, Sub Octave & Unison Off, Swell to Choir |
|
| |
|
|
Double Open Wood
(Con / HW 1880 / 1885 / 1894) |
32' |
|
Open Diapason (KJ / N) |
16' |
|
Open Wood (HW 1894) |
16' |
|
Violone (Unknown GS
Stock, possibly F&A) |
16' |
|
Bourdon
(Con / HW 1880 / 1885 / 1894) |
16' |
|
Echo Bass (HW 1894) |
16' |
|
Principal
(Con / HW 1880 / 1885 / 1894) |
8' |
|
Bass Flute
(Con / HW 1880 / 1885 / 1894)* |
8' |
|
Choral Bass (H&H 1980)
|
4' |
|
Flute (KJ / N) |
4' |
|
Mixture (12 15 19 22)
(G&S/SW 1880)
|
IV Rks |
|
Contra Posaune
(Con / Hw 1880 / 1885 H&H 1980) |
32' |
|
Bombarde (HW 1894) |
16' |
|
Ophicleide (HW 1855)
|
16' |
|
Tromba (HW 1894) |
8' |
|
Shawm (H&H 1980 |
4' |
| |
|
|
Couplers: Great to Pedal, Swell to Pedal, Choir to Pedal |
|
£450.00 (inc Post & Packing)
* *
* * * *
*
HAUPTWERK III:
THREE MANUAL AND PEDALS 48 SPEAKING STOPS (55 RANKS)
|
|
|
Full Screen
|
|
|
|
LH Screen
|
|
|
|
RH Screen
|
|
|
| |
|
|
Double
Open Diapason (HW 1894) |
16' |
|
Open
Diapason I (HW 1894) |
8' |
|
Open Diapason II (HW 1894) |
8' |
|
Claribel Flute (G&S/SW 1880) |
8' |
|
Principal (HW 1894) |
4' |
|
Open Flute (G&S/SW 1880) |
4' |
|
Twelfth (HW 1894) |
2
2/3' |
|
Fifteenth (HW 1894) |
2' |
|
Mixture (19 22 26 29) (HW 1894) |
IV rks |
|
Contra Posaune
(Con / Hw 1880 / 1885) |
16' |
|
Tromba
(HW 1855 1860 / 1894) |
8' |
|
Octave Tromba
(Con / Hw 1880 / 1885) |
4' |
| |
|
|
Couplers:- Swell to Great ,Choir to Great |
|
| |
|
|
Open Diapason
(HW 1894) |
8' |
|
Lieblich
Gedeckt (HW 1894) |
8' |
|
Salicional (HW 1894) |
8' |
|
Voix
Celestes (HW 1860 /1865
/1880) |
8' |
|
Principal (HW 1894) |
4' |
|
Lieblich Flute (HW 1894) |
4' |
|
Principal (KJ /N) |
2' |
|
Mixture
(15 19 22 26 29)
(G&S/SW 1880) |
III Rks |
|
Contra Fagotto (G&S/SW 1880 / AL 1956) |
16' |
|
Cornopean (HW 1894 /G&S/SW 1880) |
8' |
|
Hautbois (HW1894) |
8' |
|
Vox Humana (Con / Hw 1880 / 1885) |
8' |
| |
|
|
Couplers:- Octave, Sub Octave & Unison Off |
|
|
CHOIR
ORGAN
|
|
|
Contra Dulciana (HW 1894) |
16' |
|
Open Diapason
(G&S/SW 1880) |
8' |
|
Rohrgedeckt (Con / Mand
/Old) |
8' |
|
Dulciana (HW 1894) |
8' |
|
Violes Celestes
(HW 1860 /1865 /1880) |
8' |
|
Principal
(G&S/SW 1880) |
4' |
|
Flute (Con) |
4' |
|
Nazard
(Con / Hw 1880 / 1885 H&H 1980) |
2 2/3' |
|
Piccolo (HW 1894) |
2' |
|
Tierce KJ / N) |
1 3/5' |
|
Corno Di Bassetto (HW
1894) |
8' |
|
Tuba (Al 1956
Con / Hw 1880 / 1885 H&H 1980) |
8' |
| |
|
| |
|
|
Couplers:- Octave, Sub Octave & Unison Off, Swell to Choir |
|
|
Double Open Wood
(Con / HW 1880 / 1885 / 1894) |
32' |
|
Open Diapason (KJ N) |
16' |
|
Open Wood (HW 1894) |
16' |
|
Bourdon
(Con / HW 1880 / 1885) |
16' |
|
Principal
(Con / HW 1880 / 1885 H&H 1980) |
8' |
|
Bass Flute
(Con / HW 1880 / 1885 H&H 1980) |
8' |
|
Choral Bass (H&H 1980) |
4' |
|
Flute (KJ/N) |
4' |
|
Contra Posaune
(Con / HW 1880 / 1885) |
32' |
|
Bombarde (HW 1894) |
16' |
|
Trumpet (HW 1894) |
8' |
|
Shawm (H&H 1980 |
4' |
| |
|
|
Couplers: Great to Pedal, Swell to Pedal, Choir to Pedal |
|
£300.00 (inc Post & Packing)
* *
* * * *
*
HAUPTWERK III:
36 STOP: 2 MANUAL & PEDAL
Same spec. as above
without the Choir division
£250.00 (inc Post & Packing)
* *
* * * *
*
HAUPTWERK III:
32 STOPS: 3 MANUAL & PEDAL
|
|
|
Console Screen
|
|
|
| Great Organ |
|
Swell Organ |
|
|
Double
Open Diapason |
16' |
Lieblich
Gedeckt |
8' |
|
Open
Diapason |
8' |
Viola Da Gamba |
8' |
|
Claribel Flute |
8' |
Celeste |
8' |
|
Principal |
4' |
Principal |
4' |
|
Harmonic Flute |
4' |
Octave |
2' |
|
Fifteenth |
2' |
Mixture
(17:19:22) |
III
Rks |
|
Mixture
(15:19:22) |
III Rks |
Contra
Fagotto |
16' |
|
Tromba |
8' |
Cornopean |
8' |
|
Rohr Gedeckt |
8' |
Subbass |
32' |
|
Principal |
4' |
Open
Diapason |
16' |
|
Chimney
Flute |
4' |
Bourdon |
16' |
|
Nazard |
2
2/3' |
Principal |
8' |
|
Piccolo |
2' |
Bass
Flute |
8' |
|
Tierce |
1
3/5' |
Flute |
4' |
|
Corno di Bassetto |
8' |
Contra
Posaune |
32' |
|
Tuba Mirabilis |
8' |
Bombarde |
16' |
Standard inter-manual and pedal couplers plus Octave, Sub
Octaves and Unison Offs.
£200.00 (inc Post & Packing)
* *
* * * *
*
HAUPTWERK III:
TWO MANUAL AND PEDALS 30 SPEAKING STOPS
| GREAT ORGAN |
|
SWELL ORGAN |
|
|
Double Open Diapason (HW 1894) |
16' |
Open Diapason
(HW 1894) |
8' |
|
Open Diapason I (HW 1894) |
8' |
Lieblich
Gedeckt (HW 1894) |
8' |
|
Open Diapason II (HW 1894) |
8' |
Salicional (HW 1894) |
8' |
|
Claribel Flute (G&S/SW 1880) |
8' |
Voix
Celestes (HW 1860 /1865
/1880) |
8' |
|
Principal (HW 1894) |
4' |
Principal (HW 1894) |
4' |
|
Open Flute (G&S/SW 1880) |
4' |
Lieblich Flute (HW 1894) |
4' |
|
Twelfth (HW 1894) |
2 2/3' |
Principal (KJ /N) |
2' |
|
Fifteenth (HW 1894) |
2' |
Mixture
(15 19 22 26 29)
(G&S/SW 1880) |
V rks |
|
Mixture (19 22 26 29) (HW 1894) |
IV rks |
Contra Fagotto (G&S/SW 1880 / AL 1956) |
16' |
|
Tromba (HW 1855 1860 / 1894) |
8' |
Cornopean (HW 1894 /G&S/SW 1880) |
8' |
| |
|
Hautbois (HW1894) |
8' |
| |
|
Vox Humana (Con / Hw 1880 / 1885) |
8' |
| PEDAL ORGAN |
|
|
Open Diapason (KJ /N) |
16' |
|
Open Wood (HW 1894) |
16' |
|
Bourdon (HW 1860) |
16' |
|
Principal (HW 1860 /1865) |
8' |
|
Bass Flute (HW 1860 /1865) |
8' |
|
Choral Bass (H & H 1980) |
4' |
|
Flute (KJ /N) |
4' |
|
Bombarde (HW1894) |
16' |
| |
|
| |
|
| |
|
| |
|
£175.00 (inc Post & Packing)
* *
* * * *
*
HAUPTWERK III:
TWO MANUAL AND PEDALS 25 SPEAKING STOPS
| GREAT ORGAN |
|
SWELL ORGAN |
|
|
Double Open Diapason (HW 1894) |
16' |
Open Diapason
(HW 1894) |
8' |
|
Open Diapason I (HW 1894) |
8' |
Rohrflute (HW 1894) |
8' |
|
Claribel Flute (G&S/SW 1880) |
8' |
Viola da Gamba (G&S/SW 1880) |
8' |
|
Principal (HW 1894) |
4' |
Celeste
G&S/SW 1880) |
8' |
|
Harmonic Flute
(HW 1894) |
4' |
Principal (HW 1894) |
4' |
|
Twelfth (HW 1894) |
2 2/3' |
Lieblich Flute (HW 1894) |
4' |
|
Fifteenth (HW 1894) |
2' |
Piccolo (HW 1894 |
2' |
|
Mixture (15 19 22) (HW 1894) |
IIIrks |
Mixture
(17 19 22) (Con / Hw 1880 / 1885
) |
V rks |
|
Tromba (HW 1855 1860 / 1894) |
8' |
Cornopean (HW 1894 /G&S/SW 1880) |
8' |
| |
|
Hautbois (HW1894) |
8' |
| |
|
|
|
| |
|
|
|
| PEDAL ORGAN |
|
| |
|
|
Open Wood (HW 1894) |
16' |
|
Bourdon (HW 1860) |
16' |
|
Principal (HW 1860 /1865) |
8' |
|
Bass Flute (HW 1860 /1865) |
8' |
|
Flute (KJ /N) |
4' |
|
Bombarde (HW1894) |
16' |
| |
|
| |
|
| |
|
| |
|
| |
|
£150.00 (inc Post & Packing)
* *
* * * *
*
HAUPTWERK III:
TWO MANUAL AND PEDALS 20 SPEAKING STOPS
|
|
|
Console Screen
|
|
|
| GREAT ORGAN |
|
SWELL ORGAN |
|
|
Double Open Diapason (HW 1894) |
16' |
Rohrflute (HW 1894) |
8' |
|
Open Diapason I (HW 1894) |
8' |
Viola da Gamba (G&S/SW 1880) |
8' |
|
Claribel Flute (G&S/SW 1880) |
8' |
Celeste
G&S/SW 1880) |
8' |
|
Principal (HW 1894) |
4' |
Principal (HW 1894) |
4' |
|
Harmonic Flute
(HW 1894) |
4' |
Lieblich Flute (HW 1894) |
4' |
|
Fifteenth (HW 1894) |
2' |
Piccolo (HW 1894 |
2' |
|
Mixture (15 19 22) (HW 1894) |
III rks |
Mixture
(17 19 22) (Con / Hw 1880 / 1885
) |
III rks |
|
Tromba (HW 1855 1860 / 1894) |
8' |
Hautbois (HW1894) |
8' |
| |
|
|
|
| |
|
|
|
| |
|
|
|
| PEDAL ORGAN |
|
|
Bourdon (HW 1860) |
16' |
|
Principal (HW 1860 /1865) |
8' |
|
Bass Flute (HW 1860 /1865) |
8' |
|
Bombarde |
16' |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
|
|
£100.00 (inc Post & Packing)
* *
* * * *
*
NEARING COMPLETION
80 STOPS: 4 MANUALS & PEDAL
|
|
|
Full Console
|
|
|
|
L.H. Jamb
|
|
|
|
R.H. Jamb
|
|
|
| |
|
|
Double Open Diapason
|
16' |
|
Open Diapason I
|
8' |
|
Open Diapason II
|
8' |
|
Open Diapason III
|
8' |
|
Claribel Flute
|
8' |
|
Quint
|
5 1/3' |
|
Principal |
4' |
|
Harmonic Flute
|
4' |
|
Twelfth
|
2
2/3' |
|
Fifteenth |
2' |
|
Seventeenth
|
1 3/5' |
|
Mixture (15 19 22) |
III rks |
|
Mixture (19 22 26 29) |
IV rks |
|
Contra Posaune |
16' |
|
Tromba |
8' |
|
Clarion
|
4' |
| |
|
|
|
|
Lieblich Bourdon |
16' |
|
Open Diapason |
8' |
|
Rohr Gedeckt |
8' |
|
Viola Da Gamba |
8' |
|
Celeste |
8' |
|
Principal |
4' |
|
Flute |
4' |
|
Octave |
2' |
|
Sesquialtera (17 19 22) |
III Rks |
|
Mixture (15 19 22 26 29) |
V Rks' |
|
Contra Fagotto |
16' |
|
Hautbois |
8' |
|
Vox Humana |
8' |
|
Waldhorn |
16' |
|
Cornopean |
8' |
|
Clarion |
4' |
CHOIR ORGAN
|
|
|
Contra Dulciana
|
16' |
|
Open Diapason |
8' |
|
Stopped Diapason |
8' |
|
Dulciana |
8' |
|
Violes Celestes |
8' |
|
Principal
|
4' |
|
Flute |
4' |
|
Nazard |
2 2/3' |
|
Octave |
2' |
|
Flageolet |
2' |
|
Tierce |
1 3/5' |
|
Larigot |
1 1/3' |
|
Bass Cromorne |
16' |
|
Corno di Bassetto |
8' |
|
Orchestral Oboe |
8' |
|
Tuba Mirabilis |
8' |
| |
|
|
SOLO ORGAN
Split into 8 stops LH jamb and 8 stops RH jamb
|
|
|
Contrabass |
16' |
|
Contrabass Celeste |
16' |
|
Viol d'Orchestre |
8' |
|
VDO Celeste |
8'
|
|
Strings I |
8' (II Rks) |
|
Strings II |
8' (II Rks) |
|
Violin |
4' |
|
Violin Celeste |
4' |
| |
|
|
Concert Flute |
8' |
|
Flute Celeste |
8' |
|
Harmonic Flute |
4' |
|
Musette |
8' |
|
Solo Vox Humana (poss separate
trem) |
8' |
|
Trombone
|
16' |
|
Tromba
|
8' |
|
Clarion
|
4' |
| TOYS
(for use in various early music for organ and a bit of fun) |
|
| |
|
|
Double Open Wood |
32' |
|
Open Diapason
|
16' |
|
Open Wood |
16' |
|
Violone
|
16' |
|
Bourdon |
16' |
|
Echo Bass |
16' |
|
Principal |
8' |
|
Bass Flute |
8' |
|
Choral Bass
|
4' |
|
Flute |
4' |
|
Mixture (12 15 19 22)
|
IV Rks |
|
Contra Posaune |
32' |
|
Posaune |
16' |
|
Bombarde
|
16' |
|
Trumpet |
8' |
|
Shawm |
4' |
| |
|
| |
|
| COUPLERS
Full selection of Sub-Octave Unison and Octave couplers throughout |
|
Expected Price: £550
* *
* * *
100 STOP: 4
MANUALS & PEDAL
This is pretty much the
specification that will form the 100 stop model although the odd stop may be
subject to change depending as to how well the divisions work out or as a result
of input from potential users.
|
Subbass*
|
32' |
|
Double
Open Diapason*
|
16' |
|
Double Stopped Diapason * |
16' |
|
Open
Diapason I*
|
8' |
|
Open Diapason II * |
8' |
|
Open Diapason III * |
8' |
|
Claribel Flute*
|
8' |
|
Stopped Diapason * |
8' |
|
Quint * |
5 1/3' |
|
Principal |
4' |
|
Harmonic Flute * |
4' |
|
Tenth* |
3/1/5' |
|
Twelfth * |
2
2/3' |
|
Fifteenth* |
2' |
|
Seventeenth*
|
1 3/5' |
|
Mixture (15 19 22) * |
III rks |
|
Mixture (19 22 26 29)* |
IV rks |
|
Contra Posaune * |
16' |
|
Tromba * |
8' |
|
Clarion * |
4' |
|
Bourdon* |
16' |
|
Open Diapason* |
8' |
|
Rohrflutte |
8' |
|
Lieblich Gedeckt* |
8' |
|
Salicional |
8' |
|
Viol da Gamba |
8' |
|
VDG Celeste |
8' |
|
Principal* |
4' |
|
Flute* |
4' |
|
Octave* |
2' |
|
Sesquialtera (17 19 22) |
III Rks |
|
Mixture (15 19 22 26 29) |
V Rks' |
|
Contra Fagotto |
32' |
|
Fagotto* |
16' |
|
Hautbois |
8' |
|
Vox Humana |
8' |
|
Waldhorn* |
16' |
|
Cornopean* |
8' |
|
Quint Horn |
5 1/3' |
|
Clarion* |
4' |
|
Contra Dulciana* |
16' |
|
Open Diapason* |
8' |
|
Rohr Gedeckt* |
8' |
|
Open Flute* |
8' |
|
Dulciana* |
8' |
|
Celeste* |
8' |
|
Principal* |
4' |
|
Rohrflute*
|
4' |
|
Nazard* |
2 2/3' |
|
Octave* |
2' |
|
Waldflute* |
2' |
|
Tierce* |
1 3/5' |
|
Larigot* |
1 1/3'' |
|
Sifflute* |
1' |
|
Mixture* |
III Rks |
|
Bass Cromorne*
|
16' |
|
Corno di Bassetto* |
8' |
|
Orchestral Oboe* |
8' |
|
Trumpet* |
8' |
|
Tuba Mirabilis* |
8' |
|
Contrabass* |
16' |
|
Contrabass Celeste* |
8' |
|
Viol d'Orchestre* |
8' |
|
VDO Celeste* |
8' |
|
Srings I* (2 Rks) |
8' |
|
Strings II* (2 Rks) |
8' |
|
Strings III* (2 Rks) |
8' |
|
Violin* |
4' |
|
Violin Celeste* |
4' |
|
Octave Violin |
2' |
|
Quartane (12:15)* |
II Rks |
|
Orchestral Flute* |
8' |
|
Flute Celeste* |
8' |
|
Harmonic Flute* |
4'' |
|
Solo Vox Humana* |
8' |
|
Musette* |
8' |
|
Trombone* |
16' |
|
Trumpet* |
8' |
|
Quint Tromba* |
5 1/3' |
|
Clarion* |
4' |
| PERCUSSIONS
etc. (playable from Solo or through couplers) |
|
|
Glockenspiel* |
|
|
Tubular Bells* |
|
| |
|
|
Cymbelstern (7 bells) |
|
|
Pajarro (Birds) |
|
|
Pileata Magna ("Giant
Woodpecker": Woodblock) |
|
|
Gravissima |
64' |
|
Double Open Wood* |
32' |
|
Contra Bourdon* |
32' |
|
Open Wood*
|
16' |
|
Open Diapason* |
16' |
|
Violone*
|
16' |
|
Bourdon* |
16' |
|
Echo Bass* |
16' |
|
Quint |
10 2/3' |
|
Principal* |
8' |
|
Bass Flute* |
8' |
|
Octave* |
4' |
|
Flute* |
4' |
|
Mixture (12 15 19 22)*
|
IV Rks |
|
Contra Posaune* |
32' |
|
Double Trombone |
32' |
|
Bombarde* |
16' |
|
Trombone* |
16' |
|
Trumpet* |
8' |
|
Shawm* |
4' |
|
Choir to Pedal |
|
|
Great to Pedal |
|
|
Swell to Pedal |
|
|
Solo to Pedal |
|
|
Swell to Choir |
|
|
Solo to Choir |
|
|
Choir to Great |
|
|
Swell to Great |
|
|
Solo to Great |
|
|
Solo to Swell |
|
|
Choir Sub Octave |
|
|
Choir Unison Off |
|
|
Choir Octave |
|
|
Great Octave |
|
|
Swell Sub Octave |
|
|
Swell Unison Off |
|
|
Swell Octave |
|
|
Solo Sub Octave |
|
|
Solo Unison Off |
|
|
Solo Octave |
|
|
Tremulants to Choir,
Swell and Solo |
|
|
There are additional
couplers to the above available on the dual screens |
|
|
Full complement of
Divisional and General pistons etc. |
|
Expected Price: £650
* *
* * *
HAUPTWERK III:
PROVISIONAL 125 STOP: 3
MANUALS & PEDAL or 4 MANUALS & PEDAL
This specification is
subject to considerable change as the 80 AND 100 stop models are completed. The
specification shown below is for 3 manuals and pedal
however, it is more than likely that it will follow the same format as the 100
with 5 extra stops per division spread over 4 manuals and pedal.
|
Subbass*
|
32' |
|
Double
Open Diapason*
|
16' |
|
Contra Gamba * |
16' |
|
Open
Diapason I*
|
8' |
|
Open Diapason II * |
8' |
|
Open Diapason III * |
8' |
|
Violin Diapason*
|
8' |
|
Claribel Flute * |
8' |
|
Quint * |
5 1/3' |
|
Principal I |
4' |
|
Principal II * |
4' |
|
Harmonic Flute * |
4' |
|
Tenth* |
3/1/5' |
|
Twelfth * |
2
2/3' |
|
Fifteenth* |
2' |
|
Octave * |
2' |
|
Seventeenth*
|
1 3/5' |
|
Mixture (12 15 19 22) |
IV rks |
|
Mixture (15 19 22) * |
III rks |
|
Mixture (19 22 26 29)* |
IV rks |
|
Contra Posaune * |
16' |
|
Tromba * |
8' |
|
Trumpet
|
8' |
|
Octave Tromba * |
4' |
|
Clarion ? or 8' Viola da
Gamba ? |
4' |
| |
|
|
Couplers:- Swell to Great 16', 8', 4', Choir to Great 16', 8, 4, Positive to
Great 8' |
|
|
Lieblich Bourdon* |
16' |
|
Contra Salicional |
16' |
|
Open Diapason* |
8' |
|
Salicional* |
8' |
|
Rohr Gedeckt* |
8' |
|
Voix Celestes I* |
8' |
|
Voix Celestes II |
8' |
|
Principal* |
4' |
|
Flute* |
4' |
|
Salicet |
4' |
|
Octave* |
2' |
|
Sesquialtera (17 19 22) |
III Rks |
|
Mixture (15 19 22 26 29) |
V Rks' |
|
Mixture (12 15 19 22 26
29) |
VI Rks |
|
Contra Fagotto |
32' |
|
Waldhorn* |
16' |
|
Cornopean*
|
8' |
|
Hautbois |
8' |
|
Vox Humana |
8' |
|
Clarion |
4' |
|
Double Trumpet* |
16' |
|
Trompette I* |
8' |
|
Trompette II ? or Twelfth
2, 2/3' |
8' |
|
Quint Trumpet |
5 1/3' |
|
Octave Trumpet* |
4' |
| |
|
|
Couplers:- Octave, Sub Octave & Unison Off |
|
|
Quintaton |
16' |
|
Open Diapason* |
8' |
|
Stopped Diapason* |
8' |
|
Principal* |
4' |
|
Chimney Flute* |
4' |
|
Nazard |
2 2/3'' |
|
Octave*
|
2' |
|
Tierce |
1 3/5' |
|
Larigot |
1 1/3' |
|
Sifflote |
1' |
|
Mixture* |
IV Rks |
|
Dulzian* |
8' |
| CHOIR
ORGAN
Contra Dulciana |
16' |
|
Viola da Gamba*
|
8' |
|
Stopped Diapason* |
8' |
|
Dulciana* |
8' |
|
Violes Celestes* |
8' |
|
Dulcet |
4' |
|
Flute |
4' |
|
Piccolo |
2' |
|
Corno di Bassetto* |
16' |
|
Cromorne |
8' |
|
Trumpet* |
8' |
|
Tuba |
8' |
|
Bells |
|
| |
|
|
Couplers:- Octave, Sub Octave & Unison Off Swell to Choir 16', 8', 4'. |
|
|
Gravissima (probably
resultant) |
64' |
|
Double
Open Diapason
|
32' |
|
Double Open Wood* |
32' |
|
Contra Bourdon* |
32' |
|
Open Diapason*
|
16' |
|
Open Wood* |
16' |
|
Violone*
|
16' |
|
Bourdon* |
16' |
|
Echo Bass* |
16' |
|
Quint ? or soft 16' ? |
10 2/3' |
|
Principal* |
8' |
|
Viola |
8' |
|
Bass Flute* |
8' |
|
Choral Bass*
|
4' |
|
Nachthorn |
4' |
|
Superoctave |
2' |
|
Mixture (12 15 19)*
|
III Rks |
|
Mixture (19 22 26 29) |
IV rks |
|
Contra Posaune* |
32' |
|
Contra Ophicleide |
32' |
|
Bombarde* |
16' |
|
Trombone* |
16' |
|
Ophicleide*
|
16' |
|
Trumpet* |
8' |
|
Shawm* |
4' |
| |
|
|
Couplers: Great to Pedal, Swell to Pedal, Choir to Pedal, Positive to Pedal |
|
Expected Price £750
* *
* * *
UPGRADE PATHS
Any purchaser of one of the smaller sets in this series can upgrade to a larger
set for the difference in the price between the two plus £10.00 for
administration.
CUSTOM INSTRUMENTS
It is also possible to have an instrument based on the series tailored to
individual needs. Please contact us for further details. In most cases, the
difference in cost is that of the extra stops plus a small fee for the creation
of a new ODF / CODM file if it is required.
COUPLERS etc.
A very full selection of couplers is provided for each model. However, in order
to keep the aesthetics of some of the consoles within sensible bounds, some
couplers and controls may not be shown in the single screen or split screen
graphics. They are of course available in the controls screen and can be set up
under the combination pistons as desired. Due to the nature of the CODM and the
sample sets in general, any extra couplers or controls can be added or
subtracted quite easily by adjusting the CODM for individual tastes. Likewise,
the layouts or stop nomenclature of each console can be changed in the same way.
ABOUT THE INSTRUMENTS USED
The organ at St George's Hall Liverpool is still considered to be one of the
finest organs in the world albeit in poor condition but gradually improving as
funds become available. Although the pipework has been rescaled at various times
over the years, it has always remained 100% Willis.
The organ at Huddersfield Town Hall started life in Wales before moving to
Huddersfield and it is difficult to tell what is from the two different Conacher
(Con)
firms - James or Peter - involved in its history and what is Father Willis. It is still a fine and
famous concert organ and was fully rebuilt in 1980 by Harrison and Harrison.
Conacher was eventually amalgamated into the Willis company.
Apart from the mixtures which I believe were most likely remodeled from the
standard Tierce mixtures to Quint mixtures** at some time, the 1894 Willis is
otherwise a tonally untouched instrument in an English
country parish church. It is typical of many Father Willis church instruments -
sufficient for its purpose but lacking some of the "fancies" of the
larger concert
instruments.
** The original 17:19:22 became 15:19:22.
The Sweetland / Griffen & Stroud (G&S / SW) instrument also started life in Wales. It is
difficult to categorise the pipework as to what is what. Judging by the
construction of some of the stops, it is most likely that some of the pipework originated in
Germany.
The Conacher (Con) is a very fine (though sadly un-maintained) 3 manual instrument in
Derbyshire. The pipework is of superb quality with high tin content by Zimmerman of Paris.
The Almeuza is a 2 manual instrument in Sanguesa (Zangoza), Navarra, Spain built in 1956
for the historic church of Santa Maria.
The Basque builder Almeuza has been responsible for work in most of the Spanish
instruments both in churches and cathedrals at some time or another and the quality of
their pipework is generally good. if there is such a thing as a Spanish Romantic
organ then Almeuza can certainly be described as working to this school of
voicing.
Finally, one or two stops come from the Kenneth Jones / Nicholson instrument
featured in the TRIO series with some revoicing to make them blend in with the
other Romantic stops of this series. The remaining pipework samples were
recorded directly from the voicing machine using various stock pipework at
George Sixsmith & Son organ builders. Some of the pipework sampled is from
the former St. Lawrence Jewry Church in London.
Prices for the series are based on the amount of ranks rather than the
amount of stops which works out at approxinately £5 per rank.
PLEASE NOTE
The samples are accurately tuned throughout to
A440. Users wanting a more natural detuning can adjust this to taste for each
stop using the voicing tools included with Hauptwerk. Alternatively, an overall
detune either equally or scaled across the stop can be achieved by altering the
relevant parameter in each stop via the CODM. There is also the additional
possibility of using an alternative temperament such as a stretched one but this
will affect all stops equally.
These samples are designed for use in a
building with considerable reverberation and distance lends its charm ! Playing
these samples without reverberation tends to be quite up front and personal as
though sitting in the organ but it is also ideal
for practice. No
artificial reverb has been added so that users can introduce their own or allow
the building in which it is played to take care of this aspect. As and when Hauptwerk
IV is released, the software itself will provide convolution reverberation and
many other features.
Unlike many of the other libraries available,
there is no limitation as to the use of this library in either a domestic
situation or in a church or similar building. Users have permission to alter the
various parameters of the stops in order to obtain a balance and sound suited to
their particular preferences. However, the recording of sounds produced in this library is
limited to performances of musical pieces only. It is not permissible to record
or re-record individual notes in any way for the purpose of creating a new
library or stop.

|