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![[Product Image]](images/prodimg.gif)
This is the provisional specification of 100 stops spread over 3 manuals shown below
is currently being worked upon. It will form the basis by which smaller
organs of 48, 64 and 80 stop libraries will be constructed from together with
new 20, 25 and 36 stop libraries. It will be possible also to create individual
4 and 5 manual specifications for those who have customised consoles.
All the samples are either reworked or new and include some stops which have
been created from composites of several stops. Previously, all stops in the
libraries were based on mono samples which were then panned into C and C# sides.
The stops in this library are either in natural stereo as recorded on the
windchest or in some cases, have been created from mono recordings which have
then been converted to an artificial stereo.
The technique of creating stops in artificial stereo differs from panned mono.
Samples undergo several further stages of editing to create the
desired result. This is then compared to real stereo recordings in order to
check that the stereo field sounds natural.
Stops marked in Green* are
now complete
|
Subbass*
|
32' |
|
Double
Open Diapason*
|
16' |
|
Contra Gamba * |
16' |
|
Open
Diapason I*
|
8' |
|
Open Diapason II * |
8' |
|
Open Diapason III * |
8' |
|
Violin Diapason*
|
8' |
|
Claribel Flute * |
8' |
|
Quint * |
5 1/3' |
|
Principal I |
4' |
|
Principal II * |
4' |
|
Harmonic Flute * |
4' |
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Tenth* |
3/1/5' |
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Twelfth * |
2
2/3' |
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Fifteenth* |
2' |
|
Octave * |
2' |
|
Tierce*
|
1 3/5' |
|
Mixture (12 15 19 22) |
IV rks |
|
Mixture (15 19 22) * |
III rks |
|
Mixture (19 22 26 29)* |
IV rks |
|
Contra Posaune * |
16' |
|
Tromba * |
8' |
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Trumpet
|
8' |
|
Octave Tromba * |
4' |
|
Clarion ? or 8' Viola da
Gamba ? |
4' |
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Couplers:- Swell to Great 16', 8', 4', Choir to Great 16', 8, 4, Positive to
Great 8' |
|
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Lieblich Bourdon* |
16' |
|
Contra Salicional |
16' |
|
Open Diapason* |
8' |
|
Salicional |
8' |
|
Rohr Gedeckt |
8' |
|
Voix Celestes I |
8' |
|
Voix Celestes II |
8' |
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Principal* |
4' |
|
Flute |
4' |
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Salicet |
4' |
|
Octave |
2' |
|
Sesquialtera (17 19 22) |
III Rks |
|
Mixture (15 19 22 26 29) |
V Rks' |
|
Mixture (12 15 19 22 26
29) |
VI Rks |
|
Contra Fagotto |
32' |
|
Waldhorn |
16' |
|
Cornopean |
8' |
|
Hautbois |
8' |
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Vox Humana |
8' |
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Clarion |
4' |
|
Double Trumpet |
16' |
|
Trompette I |
8' |
|
Trompette II ? or Twelfth
2, 2/3' |
8' |
|
Quint Trumpet |
5 1/3' |
|
Octave Trumpet |
4' |
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Couplers:- Octave, Sub Octave & Unison Off |
|
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Quintaton |
16' |
|
Open Diapason |
8' |
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Stopped Diapason |
8' |
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Principal |
4' |
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Chimney Flute |
4' |
|
Nazard |
2 2/3'' |
|
Octave
|
2' |
|
Tierce |
1 3/5' |
|
Larigot |
1 1/3' |
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Sifflote |
1' |
|
Mixture |
IV Rks |
|
Dulzian |
8' |
| CHOIR
ORGAN
Contra Dulciana |
16' |
|
Viola da Gamba
|
8' |
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Stopped Diapason |
8' |
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Dulciana |
8' |
|
Violes Celestes |
8' |
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Dulcet |
4' |
|
Flute |
4' |
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Piccolo |
2' |
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Corno di Bassetto |
16' |
|
Cromorne |
8' |
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Trumpet
|
8' |
|
Tuba |
8' |
|
Bells |
|
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|
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Couplers:- Octave, Sub Octave & Unison Off Swell to Choir 16', 8', 4'. |
|
|
Gravissima (probably
resultant) |
64' |
|
Double
Open Diapason
|
32' |
|
Double Open Wood* |
32' |
|
Contra Bourdon* |
32' |
|
Open Diapason*
|
16' |
|
Open Wood* |
16' |
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Violone*
|
16' |
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Bourdon* |
16' |
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Echo Bass* |
16' |
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Quint ? or soft 16' ? |
10 2/3' |
|
Principal* |
8' |
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Viola |
8' |
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Bass Flute* |
8' |
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Choral Bass*
|
4' |
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Nachthorn |
4' |
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Superoctave |
2' |
|
Mixture (12 15 19)*
|
III Rks |
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Mixture (19 22 26 29) |
IV rks |
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Contra Bombarde |
32' |
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Contra Ophicleide |
32' |
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Bombarde |
16' |
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Trombone |
16' |
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Ophicleide*
|
16' |
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Trumpet |
8' |
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Shawm* |
4' |
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Couplers: Great to Pedal, Swell to Pedal, Choir to Pedal, Positive to Pedal |
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